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Warfare Sound Editor Glenn Freemantle Wasn’t Creating a Hollywood War
Oscar-winning sound editor Glenn Freemantle discusses how he brought authenticity to Warfare's soundscape with every bomb, bullet and show of force.
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15 of the Most Iconic Drivers in Film
In anticipation of this summer's F1, we're honouring some cinema's greatest car movies by taking a look at the characters behind the wheel.
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Double Trouble: How Actors Appear in Two Roles on Camera
In response to the recent trend of movie stars pulling double duty, Sophie Monks Kaufman speaks to visual-effects artists about the technical challenges of multiplying a performer.
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George MacKay: ‘Originality is a Huge Thing’
The star of post-apocalyptic musical The End discusses the value of creativity, what his character smells like and falling in love at the end of the world.
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Why Filmmakers are Fascinated by Restaurant Kitchens
With its precarious workforce, culinary accidents and rigid hierarchy, La Cocina is just one of many films that delves into the pressure-cooker environment of a commercial kitchen. Here, Emily Maskell explores the trend.
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Julie Keeps Quiet Director on the Power of Silence
In conversation with Laura Venning, writer-director Leonardo Van Dijl discusses the deafening silence that drives his probing tennis drama.
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Barry Levinson: ‘The Studios are Just Going for the Big Hit’
The Oscar-winning director speaks to Yasmin Omar about the narrative allure of organised crime, allowing for spontaneity on set and how Hollywood has changed since the 1970s.
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NT Live’s Dr. Strangelove is the Play for Our Unprecedented Times
Despite being set in the Sixties, Armando Iannucci and Sean Foley’s stage adaptation of the renowned Stanley Kubrick film feels remarkably contemporary with its caustic humour and modern anxieties, writes Lauren Morley.
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Should Spies Prioritise Love Over Country?
It’s a thorny question that has underpinned many espionage thrillers, including Steven Soderbergh’s Black Bag. Here, Victoria Luxford considers the cinematic secret agents who value their loved ones over their nation – and vice versa.
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Oscar Winner Sean Baker on Editing Anora
Four-time Oscar winner Sean Baker explains his unusual approach to editing his New York-set anti-Cinderella story, which involves setting the footage aside for months after wrapping and building a cut in chronological order.
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