I'm still here | out friday
Bridget Jones: Mad About the Boy
I Am Martin Parr | preview + intro on thursday | out friday
the monkey | out friday
Captain America: Brave New World
mickey 17 | tickets now on sale
A Complete Unknown
THE BRUTALIST
Journal
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I’m Still Here & the Elliptical Violence of Military Dictatorships
Walter Salles’ drama is the latest in a spate of recent films, including Parallel Mothers and The Childhood of a Leader, that confronts authoritarianism head on, rather than obscuring it beneath allegorical fantasies, writes Billie Walker.
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Hollywood's Greatest Mother-Daughter Acting Duos
With Mother’s Day around the corner, what better way to celebrate than by spotlighting some of Hollywood’s most iconic mother-daughter acting duos?
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Were Bridget Jones and Mark Darcy Ever a Good Couple?
The fourth cinematic outing of Helen Fielding’s messy, chain-smoking diarist wants us to mourn the loss of Bridget and Mark’s love – but should we? Yasmin Omar investigates.
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Best Robert Pattinson Performances
As Robert Pattinson returns to our screens, we look back at his best performances, in underseen gems and colossal blockbusters alike.
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The Filmmakers Speaking Truth to Power
Oscar-nominated thriller The Seed of the Sacred Fig, by exiled Iranian director Mohammad Rasoulof, is the latest film to employ the genre as a means of exploring contemporary events – and criticising social ills. By Ian Haydn Smith
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The Poignancy of The Last Showgirl’s Underappreciated Artists
If an artist creates something that no one engages with, did they even create? Looking at The Last Showgirl, Inside Llewyn Davis and more, Meg Walters explores the characters fighting for recognition.
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How Mike Leigh Presents the Interior Lives of Complex Women
In his many female-fronted character studies – like the BAFTA-nominated Hard Truths – the social-realist British director shapes the lead roles with his actresses to ensure authenticity, writes Laura Venning.
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Bob Dylan Has Always Been A Complete Unknown
In much the same vein as Martin Scorsese and Todd Haynes’ cinematic portrayals of the enigmatic singer-songwriter, James Mangold’s Dylan biopic wisely leans into his elusiveness, writes Sophie Monks Kaufman.
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The Brutalist Review: A Tremendous, Towering Achievement
Brady Corbet’s grand, yet intimate, tale of a Hungarian-Jewish immigrant struggling to make a life for himself in mid-century America is an engrossing, thematically rich masterwork, writes Yasmin Omar.
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Angelina Jolie’s Persona Made Her the Only Choice to Play Maria Callas
Ian Haydn Smith explores why Angelina Jolie was the perfect performer to portray legendary opera singer Maria Callas.
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